Emerald Sphinx · Signature SET250

THE EMERALD SPHINX

Gallery: Gold and Sacrifice · Symbolism · Curator: Adrian Thomas

The Emerald Sphinx and its eyes, as a central element that redefines intellectual eroticism.

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DESCRIPTION:

The Emerald Sphinx is not simply a digital work; it is an aesthetic and psychological statement. Created by Adrian Thomas within the Gold and Sacrifice Gallery (Symbolism), this central piece redefines intellectual eroticism: it is not based on the explicit, but on the emotional tension hidden behind a green gaze that seems to comprehend everything.

With The Emerald Sphinx, every space is transformed into an atmosphere of authority, mystery, and visual sophistication. It is art conceived for those who seek more than decoration: they seek identity.

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Technical Specifications — Master Print Edition

• Aspect Ratio: 3:4
• Master Resolution: 12000 × 16000 px
• Print Resolution: 300 true DPI
• Color Space: Professional CMYK (4 separations)
• Depth: 8 bits per channel
• Delivery Format: PDF Master Fine Art ready for printing
• Recommended Size: 60 × 80 cm (with ample margin for professional enlargement)

Note: This is not a screen-optimized file. It is a certified edition conceived for museum-quality printing on canvas or Fine Art papers. For personal use and non-commercial display.

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Signature · Limited Edition: SET250

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CERTIFICATE OF AUTHENTICITY: Upon acquisition of this Limited Edition item, SANTOGrail Fine Art & Literary House will proceed to issue the corresponding Certificate of Authenticity (COA). This document, which guarantees the unique piece number of your collection and bears the official signature of the Gallery, will be sent directly to the email address used for your purchase, within a maximum period of 48 hours from the acquisition of the indicated product.

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Recommended display guide

SANTOGrail recommends this work for display formats up to 60 × 80 cm, with professional printing on fine art paper or artistic canvas.

As a curatorial criterion, we suggest:

• professional quality fine art paper or artistic canvas
• pigment inks
• simple frames in matte black, natural wood or off-white
• LED lighting, no direct sunlight
• a presentation where the artwork can breathe visually

For works printed on paper, framing with acrylic or UV-protected glass and with adequate separation between the artwork and the protective surface is suggested.

The final appreciation will depend on the medium, the lab, the lighting, and the exhibition space.

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Suggested brief table

Larger formats may be technically viable, but SANTOGrail considers up to 60 × 80 cm as its preferred exhibition range.

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Please review the following links for detailed information on our gallery's technical standards, the scope of the license provided with each digital artwork, and recommendations for printing master files.

Visit:

• Curatorial Architecture
• Curator's Message
• SANTOGrail Standard
• Usage Licenses
• Technical Note & Printing